SHE'S A WOMAN OF FLESH AND BLOOD —

Margaux Gauthier, named in honour of her late father's favourite literary character, gets her big career break, when the artistic director of the National Ballet of Denmark, where she dances, casts her as her namesake, the lead, in the new production of "The Lady of the Camellias". However, the Association of Danish Dancers insists on stirring drama over his casting, a problem the AD immediately solves by casting the young and very Danish prodigy, Emma Gregersen, in a new, third cast, so Margaux is dancing alongside not only the established Danish star dancer, Rebekka Aagaard, but also a four year younger corps dancer. How does Margaux secure her own position and, most importantly, deliver her best performance yet, for her father's sake, under these circumstances?