SHE'S A WOMAN OF FLESH AND BLOOD —

CHARACTER
NAME: Margaux Gauthier
AGE: late 20s
GENDER: Female
SPECIES: Human
BIRTH DATE: January 15th, 1998
BIRTH PLACE: Paris, France
RESIDENCE: Copenhagen, Denmark
OCCUPATION: Soloist with the National Ballet of Denmark
LANGUAGES: French, English, some Danish
POWERS: None


PERMISSIONS
BACKTAGGING: Yes, please, I rely on it
4TH WALLING: Yes
THREADJACKING: No
KISSING: Yes, primarily F/F
HUGGING: Yes
SEX: No, FTB okay
FIGHTING: Would rather avoid
INJURY: Yes, though contact me about severe injuries
ROMANCE: Yes, primarily F/F
DEATH: Yes, but let's plot


OTHER
PB: Natalie Dyer.
PERSONALITY AND HISTORY: Pitch, full bio.
CANON POINT: 2025, Margaux is cast as Marguerite Gautier in a new production of "The Lady of the Camellias" by artistic director, Nicolas Dam.

Margaux Gauthier, named in honour of her late father's favourite literary character, gets her big career break, when the artistic director of the National Ballet of Denmark, where she dances, casts her as her namesake, the lead, in the new production of "The Lady of the Camellias". However, the Association of Danish Dancers insists on stirring drama over his casting, a problem the AD immediately solves by casting the young and very Danish prodigy, Emma Gregersen, in a new, third cast, so Margaux is dancing alongside not only the established Danish star dancer, Rebekka Aagaard, but also a four year younger corps dancer. How does Margaux secure her own position and, most importantly, deliver her best performance yet, for her father's sake, under these circumstances?